Summer reading special—the most recent 5 titles in our Ricochet Canadian noir series.

This book bundle includes:

The Damned and the Destroyed
Four Days
I Am Not Guilty
The Ravine
Perilous Passage

Haven't read the first 12 books in the series? Buy that bundle here.

Stanley Péan

In Black and Blue, author and radio personality Stanley Péan guides us through a history of jazz, stopping at a number of high points along the way. He takes us behind the scenes with anecdotes that tell much about the misunderstandings that have surrounded the music. How could Jean-Paul Sartre have mixed up Afro-Canadian songwriter Shelton Brooks with the Jewish-American belter Sophie Tucker? What is the real story behind the searing classic “Strange Fruit” made immortal by Billie Holiday, who at first balked at performing it? And since this is jazz, there is no shortage of sad ends: Bix Beiderbecke, Chet Baker, Lee Morgan, to name a few. Péan also shows how musicians like Miles Davis worked with the emerging voices of hip- hop to widen jazz’s audience, as well as how the movies, Hollywood and European cinema alike, tried to use jazz, often whitening it in the process. Like jazz itself, Péan’s essays are spontaneous, thoughtful, and refined.

R. P. LaRose

In his commanding poetry debut, Wolf Sonnets, R. P. LaRose undoes the sonnet's classical constraints, retooling the form for current political circumstances. Packed with family lore, these poems reflect on how deeply we can trust the terms we use to construct our identity. A proud citizen of the Métis Nation, LaRose even questions his right to identify as such: “I was made in someone else’s home,” he writes. Wolf Sonnets is verse obsessed with names, infinity, numbers, categories, and interconnectedness. Depicting his ancestors as wolves—symbols of survival and protection—LaRose bring fresh insight to his wider poetic project: castigating the inequality, greed, and racism inherent to colonialism.

Madi Haslam

Letters From Montreal documents the experiences of Montrealers past and present, creating a portrait of the storied city unlike any other. Drawn from the celebrated column in Maisonneuve magazine, this anthology features Canadian writers chronicling a quintessential part of local life. Narrated with the intimacy of journal entries, each letter bridges the playful and profound. In early dispatches, Melissa Bull ditches a boyfriend over pétanque in Parc Laurier; Sean Michaels watches Arcade Fire lose Battle of the Bands; Deborah Ostrovsky frets over the sublime sophistication of the Plateau’s French children. More recently, Ziya Jones spends a summer herding sheep through Parc du Pélican; Eva Crocker performs in a “fake orgasm choir” at the Rialto Theatre; and André Picard takes a pause from the pandemic by running up Mount Royal.

Edited by Maisonneuve editor-in-chief Madi Haslam, these letters buzz with a sense of possibility, surprise and transformation. They remind us that a city can’t quite be defined, that every person inside it interprets it anew.