Véhicule Press

Girls, Interrupted

Lisa Whittington-Hill

The past decade has seen a rise in documentaries, memoirs and podcasts that revisit the legacies of women wronged by pop culture. With movements like #MeToo and #TimesUp challenging long-standing narratives around female celebrities, it’s no surprise so many believe the representation of women in the media has improved. In her scathingly witty collection of essays, Girls, Interrupted: How Pop Culture is Failing Women, Lisa Whittington-Hill argues otherwise. Pop culture’s treatment of women, writes Whittington-Hill, is still marked by misogyny and misunderstanding. From the gender bias in celebrity memoir coverage to problematic portrayals of middle-aged women and the sexist pressure on female pop stars to constantly reinvent themselves, Girls, Interrupted critically examines how mainstream media keeps failing women and explores what we can do to fix it. A work of searing relevance, this candid and often cathartic debut marks Whittington-Hill as a cultural critic of the first rank.

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Durable Goods

James Pollock

Durable Goods is a book of sharply imagined poems about everyday technology. James Pollock calls to surprising life everything from microwaves to kettles, sprinklers to umbrellas, with a precision both unerring and effortless. By conjuring the essential spirit of each object, the poet reveals the tools and appliances that surround us as both sympathetic reflections of ourselves—our fear, love, rage, hope and grief—and strange beings with inner lives of their own. “It knows how much pressure you’ve been under,” Pollock writes, of the barometer, “that you could use a change of atmosphere.” Read together, these poems immerse us in an imagined world with the power to make us see our own in a new way. Suffused with dazzling wordplay, razor wit, and rippling sonic effects, the poems richly reward being read aloud. For Pollock, the most durable good is language itself.

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Dandelion Daughter

Gabrielle Boulianne-Tremblay

Dandelion Daughter is an intimate portrait of growing up having been assigned the wrong sex at birth. Set against the windswept countryside of the remote Charlevoix region some five hours north of Montreal, Boulianne-Tremblay's autobiographical novel immortalizes her early years as an alienated boy trapped in a world of small-town values. In the midst of her parents' dissolving marriage, Boulianne-Tremblay takes us through the complex adolescent years of self-discovery and first loves, to the harrowing episodes that fuel the growing realization that she must transition and give birth to her new self if she is to continue living at all. One of the first novels of its kind to appear in Quebec, this inspiring story has connected with a wide readership and has been adopted by many schools.

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Letters From Montreal

Madi Haslam

Letters From Montreal documents the experiences of Montrealers past and present, creating a portrait of the storied city unlike any other. Drawn from the celebrated column in Maisonneuve magazine, this anthology features Canadian writers chronicling a quintessential part of local life. Narrated with the intimacy of journal entries, each letter bridges the playful and profound. In early dispatches, Melissa Bull ditches a boyfriend over pétanque in Parc Laurier; Sean Michaels watches Arcade Fire lose Battle of the Bands; Deborah Ostrovsky frets over the sublime sophistication of the Plateau’s French children. More recently, Ziya Jones spends a summer herding sheep through Parc du Pélican; Eva Crocker performs in a “fake orgasm choir” at the Rialto Theatre; and André Picard takes a pause from the pandemic by running up Mount Royal.

Edited by Maisonneuve editor-in-chief Madi Haslam, these letters buzz with a sense of possibility, surprise and transformation. They remind us that a city can’t quite be defined, that every person inside it interprets it anew.

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States of Emergency

Yoyo Comay

States of Emergency is a book-length poem about the apocalyptic present, written in a language whose meaning is liquid and full of slippage, always spilling out from its container. In Yoyo Comay’s hands, words roil, churn, and surge. By taking on different mood and modes, from the prophetic to the colloquial, he has created a form that is a constant unravelling—a leap of faith into intuitive meaning, a letting go into ongoingness. “I am catapulted into where I am,” he writes, “and the air concusses around me.”

Comay sees poetry as a visceral experience: a state of immanence, embodiment, emergence, emergency. This is poetry as diary and seismograph, an infinite scroll for the end of days. It is a debut like no other.

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