Éric Plamondon

Writer Richard Brautigan was a counter-cultural icon of the 1960s. In Mayonnaise, the second novel of Éric Plamondon's 1984 Trilogy, narrator Gabriel Rivages pieces together Brautigan's life starting in Oregon, where he was born, to San Francisco, where he became a poet and satirical novelist, and on to Bolinas, California, where he committed suicide in 1984. Sifting through the ruins of Sixties idealism, Plamondon recasts the American western frontier into a surreal, timeless place of industrial invention, Hollywood glamour and acid-washed hedonism. Originally published in French, Mayonnaise was a finalist for the Grand Prix du livre de Montreal.

Kaie Kellough

In Dominoes at the Crossroads Kaie Kellough maps an alternate nation—one populated by Caribbean Canadians who hopscotch across the country. The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.

From the cobblestones of Montreal’s Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montréal during the October Crisis; Kellough’s fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.

Christine Macgill

Every immigrant that comes to Canada has a story. This book captures ten of those stories and the remarkable resiliency and fortitude of the human spirit. In 1994 one of the worst genocides in human history took place in Rwanda—over one million people were killed in 100 days.

Each chapter in The Hope that Remains focuses on a Rwandan survivor and their journey to escape the violence and chaos that overtook their country. Two of the featured stories follow individuals who fled before the killing began and the events that caused them to flee. Both were then faced with the challenge of being outsiders looking in as events deteriorated and their families were slaughtered. The other eight survivors share their detailed and gripping experiences of trying to stay alive while trapped in a nation of killers.
Twenty-five years after the Rwandan Genocide the scars are still very real and rebuilding and coping with the trauma remains an emotional struggle. Despite their horrific pasts the survivors share feelings of hope, forgiveness, and a belief in a better future. They demonstrate the strength and courage it takes to leave the known behind to seek a better life in a new country. Their journeys to Canada contain humorous moments, thoughtful insights, and an overwhelming love and pride for the nation they now call home.

Susan Glickman

What We Carry is a profound exploration of the weight of human history at three levels: the individual, the cultural, and environmental. From her brilliant “Extinction Sonnets”—odes to various disappearing species—to a spirited examination of everyday salutations, Susan Glickman’s range astonishes: ice storms, sugar maples, early love on the Orient Express, an archaeological dig at Mycenae. Serious but not solemn, full of linguistic and imagistic playfulness, the collection is anchored by poetic translations of Chopin’s 24 Preludes, opus 28—his most experimental and characteristic compositions. The intimacy of Chopin’s project has inspired sound-rich poems that, once again, prove Glickman’s gift for capturing the frailty of human connections in a damaged world. “First light and the last, / first love and the last.”